Animation Agency London
As a London animation agency, we provide an opportunity to create entirely new worlds and characters. Every frame of an animated film is completely unique and we pride ourselves in our rigorous animation process.
We're an experienced animation agency in London
Content production doesn’t start and stop with filming and photography, a large portion of the work we create with our clients heavily involve and/or feature animations. Animations allow you to tell infinite stories; no restrictions on what’s feasible or realistic, allowing brands to tell their story, their way.
2D & 3D Animation
From graphic-led motion design to building out 3D environments, we tailor the style to suit your brand, platform, and audience, confidently leveraging both our stellar inhouse team and trusted network of advanced specialists.
Explainers, Visual Systems & Storytelling
Animation is one of the most powerful tools for simplifying complex ideas, building clarity, and keeping attention, especially when looking in digital and social-first environments.
Hybrid Live-Action & Animation
We often blend animation into filmed content, using motion to enhance storytelling, add energy, or solve creative problems that can’t be captured on set.
✨ We don't do boring explainers
A good explainer video is a brilliant thing, and a dull one is a waste of everyone's time. We've made dozens that go against the grain: unexpected, a bit funny, and genuinely worth watching to the end. Animation is what carries them, so we treat every frame as a chance to surprise people rather than narrate at them.
🪄 Built from scratch, or woven into your footage
Some of our favourite projects are pure animation, where we get to build a whole world from nothing. Just as often we blend animation into live action, and the secret is planning that before the shoot rather than bolting it on afterwards. Either way you see the storyboards and mock-ups up front, so the final film is exactly what you signed off, with no surprises.
Talk to us, we’re nice
We’d love to hear about your brand and business challenges, even if you’re not sure what your next step is. No pitch, no strings attached.
Solo animation work is creatively rewarding because you're creating new worlds from scratch, and there's a real magic to that. We also integrate animation into live action a lot, but the key is thinking about it before the shoot, not after. The films that work are the ones where motion solves a creative problem the camera couldn't.
Case studies we're proud of
A few of the projects in our reel:
Candy Crush Mascots
Bright, characterful animation built around the Candy Crush mascots.
TaxZap
Out-of-home + paid social campaign with bespoke creative variations for gig-economy demographics.
Opportunity London
An animated visual system for the Opportunity London campaign, turning a citywide story into motion.
NHS Unusual Deaths
An animated comedy series for NHS Blood and Transplant, highlighting the importance of organ donation.
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FAQs
Motion graphics is After Effects territory: kinetic text, moving shapes, animating assets that already exist, with a cool, stylish movement to everything. Illustrative animation is character-based: bodies, physics, how characters move through a world, a very different skill set. 3D tends to be product-led, built closely with a client's product team, and needs the most up-front thought: once you've locked the model in, changes are expensive, whereas motion graphics stays flexible late into the process. None is better than another; they're different tools, managed through very different production processes.
Not at all. One of the things we love about the job is working with clients across every knowledge level. If you're new to animation, we'll explain everything in plain language as we go. If you're production-literate, we'll be straight to the point and lean into it. Either way, you'll see storyboards and mock-ups at every stage, so there are no surprises: you'll know exactly what's coming before we build it.
Yes. We integrate animation into live action constantly, and it's often the best of both worlds. The key is planning the integration before the shoot, not after: making space within the live-action footage for the animation to land as effectively and beautifully as it can. Decide it in pre-production and the blend feels inevitable; bolt it on in post and it always shows.
One favourite was a film we made with the PR agency Kindred. We animated over a spoken-word piece by the Poet Laureate Simon Armitage about the probation service, structured around the alphabet with a word for every letter. We blended original footage, archive and stock with animation laid over the top, so it felt organic and illustrative rather than slick. It was emotional, a little provocative, and exactly the kind of work we love getting our teeth into.
Start with one clear idea, not ten, and give people a reason to keep watching. The best explainers are genuinely entertaining, and then they match the animation style to your brand and the platform it lives on. Done well, an explainer makes a complicated message land in seconds, which is exactly what animation is brilliant at. Done lazily, it feels like a lecture, and we would always rather make you something worth sharing.
Recent Awards
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