Agency Support: White Label Video Production

We provide scalable production support for agencies. Whether it’s white label or a direct relationship, it’s always cost efficient and a true collaboration.

Production Partnership: Your Creative, Our Craft 🤝

We’re proud of our ability to provide frictionless agency support, whether we are working white label or introduced directly to clients. Whether you need a full-scale commercial unit to bring a storyboard to life or a lean team to knock out a high-volume social shoot, we scale our crew to fit your agency’s specific needs and budgets.

Production Partnering & White-Labelling

We can act as your in-house production department or work alongside you as an external partner. We’re used to the agency workflow, from tight turnarounds to deck-ready budgeting, and we’re comfortable being as client-facing (or as "behind the scenes") as you need us to be and we love getting involved in the creative process too.

Agile Execution & Scalability

Our roots in indie filmmaking mean we know how to make a budget look twice its size on screen. We keep our core team lean and pull in the perfect specialist freelancers for each brief. From 40-person crews to scrappy 9:16 shoots, we ensure the production value is always there, regardless of the scale.

New Business Support

Whether you need full-fledged creative ideation to a simple sense-check on your existing approach, we partner with agencies in helping them win new clients for their books before any sort of formal cost commitment. After the pitch lands, we’re then ready to move into production and delivery.

The "Good People" Policy

We know that a shoot day is a big deal for your client. We make sure our sets are positive, energetic, and ego-free. We work with lovely, down-to-earth professionals who make the process enjoyable for you and your clients alike because a happy set always produces better work.

Sunday Treat crew filming a lit studio set for an agency production

A full production unit for your agency

When a brief needs a built set, a full lighting rig and a commercial-grade crew, we bring the unit that makes it happen. Run us white label or introduce us to your client; either way you get the production muscle and keep the creative ownership.

Behind the scenes of a Sunday Treat branded shoot with on-camera talent and a HelloFresh box

White label, or a named partnership

Run us fully white label, with our crew under NDA and happily out of the case-study credits. Or introduce us to your client and we'll work in the open, the way we did with Billion Dollar Boy on Lipton and Kindred on the Simon Armitage film. Either way, you keep the relationship.

Sunday Treat cast and crew on a colourful production set

Scale up, or stay lean

From 40-person commercial crews to a two-person 9:16 social shoot, we flex the team to the brief and pull in the right specialist freelancers around our core. And because a happy set makes better work, we keep every shoot positive, energetic and ego-free.

Talk to us, we’re nice

We’d love to hear about your brand and business challenges, even if you’re not sure what your next step is. No pitch, no strings attached.

Our work

View all case studies
Gulliver Moore, Co-Founder & Managing Director, Sunday Treat

When we work white-label for an agency, the bar is whether their client team feels the work was done in-house. We bring the production muscle and the agency keeps the creative ownership. It works because we don't treat the agency as a middle layer, we treat them as a partner.

Gulliver Moore, Co-Founder & Managing Director, Sunday Treat

White label video production FAQs

Two flavours. Fully white label: your brand on everything, our crew under NDA, and we'll happily stay out of the case-study credits if you'd rather. Or a named partnership, where we're introduced to your client and work in the open, like we did with Billion Dollar Boy on Lipton and with Kindred on the Simon Armitage film. Either way you keep the relationship; we just make the work.

Senior people. Our founders stay involved in every project and come along to most shoots; there's no glitzy pitch team that disappears after signature. Around them, we scale a crew of vetted specialists sized to the brief, all chosen as much for how they treat people on set as for their craft.

A simple shoot can be turned around in a couple of days, with the full process still applied. A common short-turnaround production for us is ten working days across two weeks. Agencies tend to come to us precisely when the timeline is scary; moving fast without dropping craft is one of our real strengths.

Yes. White label video editing is a standalone service for us: we've got three editors in-house and post runs through our hub regardless of who shot the footage. It works in reverse too: if your edit is covered, we'll run the shoot and hand over rushes that are properly organised. We scale to the part of the pipeline you need, not the package we'd rather sell you.

Yes, and we genuinely enjoy it. We'll go from full creative ideation to a simple sense-check on an approach you already have, helping you win new clients before any formal cost commitment. Then once the pitch lands, we're ready to move straight into production and delivery, so there's no gap between winning the work and making it.

It's in our DNA: our roots are in indie filmmaking, where you learn to make a budget look twice its size. We keep a lean core team and pull in the right specialist freelancers for each brief, rather than carrying overhead you're paying for. We scale from 40-person commercial crews down to a scrappy two-person 9:16 shoot, and the production value holds up either way.

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